Tuesday, December 14, 2010

Seasons Greetings


“Merry Christmas”

“Happy Holidays”

I was pondering the tension that exists today between those who adamantly insist that cashiers this time of year and stores post signs which say, “Merry Christmas.”

As one who follows Jesus and longs to see Him honored, I get that.  I get that the desire is not to sideline the name ‘Christ’ during the time we set aside to mark His incarnation. 
It bugs me when phrases like Christmakwanzakah are laughingly used to include all the ‘winter holidays’, but the militant attitude of “Merry Christmas-ians” needs to end.

A couple things to consider at the outset:
      
      1.)  Jesus wasn’t born on Dec. 25 – most Bible scholars will agree with this.  Yes, we celebrate His incarnation on Dec. 25 because earlier Christians wanted to supplant the pagan solstice celebrations.  ‘Christmas’ is not a celebration instituted formally by God, but about 2 years after His birth the magi sought Him out and celebrated his birth with gifts. And in the words of Charles Dickens’ Fred, “I believe that it has done me good, and will do me good; and I say, God bless it!” 

      2.)  Shortening ‘Christmas’ to ‘Xmas’ doesn’t really bug me. If the Chi Rho christogram symbol () was used by early Christians and is still used in modern liturgical churches to symbolize Christ, why is that same Chi (X) considered an offense to Christians now?  The same Christians who affix a little silver fish on the back of their car… fish (Ichthus) is spelled ” ΙΧΘΥΣ” in Latin, corresponding to Iēsous Christos, Theou Huios, Sōtēr, meaning Jesus Christ God’s Son Savior.
But use it in “Xmas” and it is suddenly an intentional insult to Christ’s name??

But back to the discussion at hand…

I go through the checkout and the cashier says, “Happy holidays.”  Should I recoil? cringe? Offer a forceful “Merry Christmas” flocked with a patronizing tone?

I scratch my head over the people who get personally offended by “Happy Holidays.”  Saying they are celebrating the god-man Jesus – the one full of grace and truth and mercy and compassion – they refuse to follow His example turn the cheek when ‘offended’. 

It may do us well to remember this…

‘When they hurled their insults at him, he [Jesus] did not retaliate; when he suffered, he made no threats. Instead, he entrusted himself to him who judges justly.’  I Pet. 2:23

Honestly I doubt most of these cashiers are saying, “happy holidays” as an intentional malicious insult. “Happy Holidays” is at the very least a courtesy – a positive wish of wellness or joy during the season.  Why is that a bad thing?

Couldn’t we Christ-followers just offer a genuine smile and say, “thank you” and mean it?  Anymore I am pleasantly surprised to hear a cashier say those simple words after I have made a purchase and contributed to his/her wages.  

Wouldn’t a grateful response from us share more of the Gospel than bitterness?  Perhaps a heartfelt “Merry Christmas” with genuine love for this fellow masterpiece made in God’s image will be the only ‘Gospel’ they hear this year.

One last thought:

The “Merry” in “Merry Christmas” did not originally simply mean “joyful” or “happy.”  It meant “mighty” and is Robin Hood's "Merry Men."   The connotation being that since God entered into our humanity, since He ‘moved into the neighborhood’ as Eugene Peterson’s paraphrase puts it, since He has conquered death, we can be stout-hearted in the face of any circumstance.

Jesus’ incarnation reminds us that God loves us; that He chooses to dive into the cesspools of our lives and pull us out.  Christmastime ought to remind us that we are never alone, that God is always there – that “we do not have a high priest who is unable to empathize with our weaknesses, but we have one who has been tempted in every way, just as we are—yet he did not sin.  Let us then approach God’s throne of grace with confidence, so that we may receive mercy and find grace to help us in our time of need.”  Heb 4:15 & 16

To be “Merry” at Christmastime is to remember the height and width and depth and breadth of the love of God. (Eph. 3:18) 
It is to remember that “that neither death nor life, neither angels nor demons, neither the present nor the future, nor any powers, neither height nor depth, nor anything else in all creation, will be able to separate us from the love of God that is in Christ Jesus our Lord.”  Rom. 8:38-39.
To be “Merry” at Christmastime is to acknowledge Jesus as both helpless babe and conquering King. 
It is to remember again that because of the incarnation, sin and satan are defeated at the cross.
It is to know that God came to be known; to be embraced.
It is to know the joy-filled hope that awaits because He took the initiative and came to reconcile us to Himself (Col. 1).
It is to know with certainty the glory that is and is to come in eternal life.
Re-read the words to "God Rest Ye Merry, Gentlemen" in this light
So to you I say a very merry Christmas.

"There are many things from which I might have derived good, by which I have not profited, I dare say," returned the nephew.  "Christmas among the rest.  But I am sure I have always thought of Christmas time, when it has come round -- apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that -- as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!"

~ Fred, Scrooge’s nephew
by Charles Dickens

Wednesday, November 3, 2010

Christmas Music 2010 recommendations


junk·ie also junk·y (j ng k ). n. pl. junk·ies Slang. 
 2. One who has an insatiable interest or devotion:

I guess you could say I am a Christmas music junkie.  The spiritual Christmas songs – not the snowman, fatman, flying mammal, consumer-orgiastic-feel-good-snowflakes-and sleigh-bells ones (for the most part).

Why am I a Christmas music junkie?

Part of it is that I love the truths that these great songs remind us of.  Of God come in the flesh in great humility to ransom a rebellious creation because of His tender mercies.

Part of it is the joy of finding new classics like:
“Emmanuel” – JJ Heller
“Christ is Come” – Big Daddy Weave
“2000 Decembers Ago” – Joy Williams
“Light of the Stable” – Selah
“Mary Did You Know?” – Mark Lowry… now sung by everyone and Susan Boyle
“This Winter’s Night” – Kevin Marks
“Babe in the Straw” – The Choir
“Everything Changed” – NorthPoint
“Here With Us” – Joy Williams
“Once Upon a Christmas” – Dolly Parton
and a bunch of others…

Part of it is discovering ‘lost’ gems – like this year’s finding of “Taladh Chriosda” which I can tell you right now will be featured during our Christmas Eve services.

Part of it is the fresh and creative takes on the great ‘standard’ carols. How do you take a cherished and beloved song and breathe new life into it without messing it up?  There are some who would say you should never even try – to them I say… “and a Bah! Humbug! to you!”

If you are looking to add to your collection this Advent and Christmas season I would humbly suggest the following new finds, most of which are available via the links to iTunes or amazon or emusic.  Some even exist on those old fashioned plastic silver round things that a laser has to hit to make sound.

BRAND NEW

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North Point – Christmas

Genre: modern worship

Really great original stuff alongside refreshed classic carols.  Vibrant, upbeat mix lends itself to worship in a full band context.

Where to listen/purchase: itunes  amazon

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JJ Heller – Wake Up the World (EP)

genre: intimate indie folk

Even though it came out in 2007, I just found this one a month or so ago, so I’m putting it in ‘new’ – like the new used car you just bought.  It’s ‘new to me’.
Such a delightfully warm acoustic album with depth that resonates the essence of the Nativity story.
Her reworked version of We Three Kings (“Star of Wonder”) is why I love artists who refresh older songs.
Even though there are just 5 songs, the album easily worth the $4.95 at iTunes.  I would pay double that.
So, so, so good.  Just buy it now.

Where to listen/purchase: itunes  amazon

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Andy Gullahorn & Jill Phillips – Christmas

Genre: acoustic-y folk

“Intimate” and “worshipful” are the best words to describe this project.  This would be perfect playing in your favorite coffee shop this holiday.  Some very cool original songs, and very sweet new arrangement of a hymn I had never heard: “Nations That Long in Darkness Walked”

Also includes “Christmastime is Here” and “Baby It’s Cold Outside”

Where to listen/purchase: The Rabbit Room

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Phil Wickham – Songs for Christmas

genre: lush, intimate, pop

I have appreciated Phil’s heart for worship married to fresh creativity for many years now.  This project wasn’t even on my radar, but based on previous experiences I bought it immediately.  It’s good.. and creative… but some of the arrangements don’t work for me.  “Silent Night” has a country-lounge feel that I just don’t connect with.  But the introspective and sparse “O Come O Come Emmanuel” does.  Same with his rendition of “O Holy Night” – which is one of my favorite songs, period.  Christmas or not.
Overall a tender and lush album – apart from Silent Night.

Where to listen/purchase: phil wickham website
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Future of Forestry – Advent Christmas EP., Vol. 2

Genre: experimental, semi shoe-gazer, alt worship

Their first “Advent” EP is an essential part of my Christmas listening.   The beauty, majesty and creativity of that project is off. the. charts.  The arrangements are artful and out-of-the-box without being gimmicky. And the live DVD proves they have the chops to pull it all off live.

This second project continues that creative vibe and sounds like they’ve taken some of the best elements of Sufjan Steven’s ‘Age of Adz’ experiments and woven them into these reworked classics.

‘Joy to the World’ blended with ‘All Creatures of our God and King’ – whoa – who saw that coming?
And a rock and organ ballad version of ‘Pie Jesu’?  it works!

Eric Owyoung and TJ Hill continue to impress me.

Where to listen/purchase: iTunes 

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Jenny & Tyler – Love Came Down: A Christmas EP

Genre: indie acoustic coffee shop folk

Grab a couple friends, a guitar, a banjo, some fun old organ, bass and a drummer and passionate vocalists and a Christmas chord book and you have this project.

I stumbled upon this gem through my subscription to eMusic.

Tender and acoustic.

LOVE their arrangement of “For Unto Us a Child is Born” – love it.

Where to listen/purchase: iTunes    eMusic

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HONORABLE MENTIONs:

Kemper Crabb – Downe in Yon Forest

genre: Middle Ages

While not technically new this year, it is new to me.  This collection of Medieval songs performed on period instruments opens a new window into ancient expressions from centuries ago.  As stated above “Taladh Chriosda (The Christ Child Lullaby)” will be sung for our Christmas Eve services.

If you prefer your music well aged – like at least 500 years or older – pick up this album.  Do yourself a favor and get the CD/DVD package.

Where to listen/purchase:
iTunes  amazon

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Mychael Danna - The Nativity Story soundtrack

genre: soundtrack, classical

If you've seen the movie, you understand why this is a must.  Danna's subtle at times, but gloriously present weaving of traditional carols into the musical narrative of this film is at once sublime and powerful.

I cannot listen to "Silens Nox" without crying at the end.

Where to listen/purchase: iTunes  amazon

Enjoy and a most Merry Christmas to you!

Sunday, October 24, 2010

What are the Adz/Odds?

Sufjan Stevens - The Age of Adz













I first was introduced to Sufjan (Soof‘– ee- yahn) Stevens when a friend suggested I listen to his Christmas boxed set.  I was hooked.  The rawness, the genuineness of the project captivated me.  The beautifully simple instrumentation and arrangements, not only of traditional carols and quirky original songs, but the selected non-Christmas hymns were refreshing: stripped-down arrangements, often featuring banjo as lead instrument.  Delightful.

I had heard he was a professing Christian, and let’s face it – much of the ‘Christian’ market is oversaturated with sound-alikes and not a whole lot of originality.  Notable exceptions do exist, but typically by artists on independent labels who are less concerned with being called a ‘Christian band’ and more content to create great art that also reflects a Christian worldview.  Artists like The Autumn Film, Future of Forestry, Lovelite and others.

I began to listen to some of Sufjan’s other songs on Youtube.  His song ‘John Wayne Gacy’  eerily and grimly reflects a firm grasp on Calvin’s posit of ‘total depravity'.

When I heard that Sufjan was releasing an EP called ‘All Delighted People’, I purchased and downloaded it  right away.  Very Sufjan.  Very Quirky.  Very creative.

Some friends invited my wife and I to attend a Sufjan concert in Minneapolis and I jumped at the opportunity. 

Then, a week prior to the concert Sufjan released his newest full length album ‘The Age of Adz’ (pronounced ‘odds’).  His website indicated that many of the songs were inspired by his recent discovery of an obscure artist – Royal Roberts.

Sufjan was offering two of the songs for free download on his bandcamp page, so I downloaded them, expecting the same quirky, folksy, banjo-acoustic, indie sound.  Wow, was I wrong.

I hesitated to purchase the new album since I was unsure I would like it.  A Facebook friend really didn’t like it – a guy whose opinion I usually share on music.
Amazon was doing a $3.99 special on it and I thought.. “well, it’s only $3.99…and I AM going to want to know some of these new songs prior to the concert.”

Good call.

I’m not exactly sure how to describe Sufjan’s latest work, but knowing some of Royal Roberts history helps.

I was expecting acousti-indie-folk.  And the first song delivers.  But then… whooo what a turn.  I was not expecting the synths and meandering cacophonous moments that break the front door in, and at first I bristled.  I also wasn’t expecting a 25 minute closing ‘song’ that is way too hard to describe right now.

My best description of it is that album is like Sufjan has been listening to the Flaming Lips’ “Yoshimi” album as well as some Blue Man Group stuff and building on those in some unique ways.  It is not for the casual “where’s the radio friendly pop song?” listener.  It requires time to grow on you… seeing the songs live in concert helps.

The concert is very multimedia heavy.  Images on back screens and front mesh screens and backup singers doing interpretive dance and the 80’s breakout section and what was that big cardboard diamond thing that descended from on high?

It had its Cirque du Soleil moments, and vacillated between tender acoustic songs and what sounded like someone pushed an entire high school band down 4 flights of stairs.  My friend Justin once described the movie ‘Speed Racer’ as having ‘molten Skittles poured into your eyes.”  This was kind of like that.

[Aside: what an eclectic audience – hipsters and neo-lumberjacks and college indie kids with the hip cool glasses and… well, guys like me who just grabbed a comfy sweatshirt and jeans.]

I love when artists give you a little history of a song – especially if that song is a bit ambiguous in it’s lyric.  I appreciate good poetry whose meaning needs to be plumbed.  But a straight-forward ‘this is why I wrote this song’ or ‘this is what this song is about’ helps too.

And in the case of ‘Age of Adz’ these revelatory moments moved me to appreciate the music even more.

Justin’s wife, Julie, and I were talking in the van ride home about how Royal Roberts was an odd choice for inspiration and she made a wonderful statement I wish I could remember verbatim.  In essence she noted that his life, while very tragic, still produced beauty and art, and how that illuminates hope.

Additionally, Sufjan shared that his new song Vesuvius is about “standing on the edge of a volcano and needing to decide whether to jump in or not” and how he decided not to jump in.  He was speaking metaphorically about life and death and the struggle or temptation surrounding Hamlet’s dilemma – “to be or not to be.”  Starkly honest to tell your audience you have contemplated suicide and decided to choose life.

In light of Roberts’ life and this revelation – the musical backdrop to the songs makes perfect sense.  Musically, you experience what the conflicted mind does. There is tragedy and confusion and moments John Cage would love.  And yet, there is beauty and there is hope.

At the concert Sufjan shared that the song “Get Real, Get Right” was penned to Royal Roberts and to remind himself of reality:

“Get real, get right / For you will not be distracted by the signs/ Do not be distracted
by them /Do yourself favor and get real /Get right with the Lord”

If you’re considering checking this work out, you can stream the whole thing here (as of 10-24-2010).

I do have one non-musical beef with Sufjan: track 10 “I Want to Be Well” contains a repeated strong profanity.  To my knowledge this is a first for Sufjan. With his great lyrical prowess, this just seemed unnecessary and lazy.

While not my usual fare, this has really grabbed me. And quite frankly, I can’t get most of these songs out of my head.



Thursday, June 17, 2010

Unexpected Gems

Recent Music that has captured my ear:

MUSE: The Resistance
Ok – so I have to confess – I first heard a MUSE song on C-SPAN.  Yes, C-SPAN.  I caught the end of a CPAC thing, and while I consider myself a conservative, some of those things are downright odd.  Glenn Beck was pontificating (not a fan btw) and the meeting/convention deal ended and the coolest song came on.  I would later learn it was “Uprising”.  Then I heard the same song on the promo spots for the TV show “V”.  A friend on Facebook then told me she really liked the album, “The Resistance”.  I checked it out on the now defunct Lala.com and was hooked.   Honestly I cannot stop listening to it.
Lyrically - it could easily be the soundtrack to the novel/movie 1984 – I mean seriously one of the tracks is called “The United States of Eurasia”.  Read the book if you don’t get the reference.
Musically - it’s like someone took Queen, ELO, Chopin, OneRepublic, Depeche Mode and Beethoven and made a perfect blend.
The three “act” symphony at the end is exquisite
Love it.
So I asked around and ended up buying their previous project: “Black Holes and Revelations” – great stuff.













The Killers – Live from Royal Albert Hall
This one was less “unexpected” in terms of the music in general, but since this is a CD/DVD the unexpected part comes in seeing what great showmen they are.  Granted most of the ‘show’ is Brandon, but this project gave me a new appreciation for the diversity of their music.











And as I’m always on the lookout for good new modern worship albums....

Here are a few (in no particular order) that keep drawing me back:

Rend Collective Experiment - Organic Family Hymnal
iTunes


ALM:UK – Name Above All Names
iTunes

















Ascend the Hill – self title
iTunes




Lovelite – All Color
iTunes













Ian McIntosh – Alive
iTunes















United Pursuit Band – EP 

And I’m very curious to hear John Mark McMillan’s “The Medicine”

Monday, May 24, 2010

LOST finale = The Phantom Menace

LOST finale = The Phantom Menace OR Why the LOST finale is an epic, colossal fail.
Long post…buckle in.

BOTTOM LINE:  As my wife remarked…”If you are writing any sort of mystery novel/TV show/movie – you need to know the end first”… not get there 2/3rds of the way in.  Cuse and Lindelof painted themselves into a corner and chose an easy “out” rather than a satisfying (and just as easy) ending.

As the credits rolled on the LOST series finale, I felt the same way I did after seeing The Phantom Menace the first time: Shocked in a disappointing way.  It had been overhyped, deflating and extremely disappointing.

My wife and I came late to LOST.  It was nearing it’s 3rd season and I had heard it was an odd series that you had to see from the beginning to follow the story.   We decided to borrow some friends’ DVDs of Seasons 1 & 2 and dive in.  We were hooked and spent every spare moment trying to get caught up to the weekly episodes, which we did.

The story was a blend of science fiction, action and mystery with philosophical  subplots about the relationship of electromagnetism, time travel, fate, destiny and free will.  It was complicated, but very enjoyable… like a difficult puzzle you are trying to work out without aid of the box top.

Each new episode brought revelations and new questions.  Each season ended with the introduction of a whole new “group” of people:  The Tailies, the Others, Dharma, etc.  All with the allure that one day the questions would be answered. 

About season 4 my wife became disinterested and stopped watching.  Too many characters, too confusing.

Theories and huge online discussion groups popped up.  Interviewers asked Carlton Cuse and Damon Lindelof whether it all would be a Dallas-like dream or whether it was merely metaphorical for death, hell or purgatory – all of which they emphatically denied.

So six seasons in with a huge, hooked audience, LOST was coming to an end.  TV promos asserted that we would have our questions answered and ABC was devoting four and a half hours to a recap and the finale.  (It should be noted that the finale included more commercials that the super bowl)

Season 6 stumbled at first with the mythos taking a huge turn.  The sole focus seemed to be on two characters introduced formally at the end of the Season 5 finale. Jacob and the Man in Black, whom we would learn to be his twin brother.  Jacob dressed in white, MIB in black.  Jacob whose touch protects the castaways from MIBs schemes.  MIB who impersonates the dead, pulling heartstrings to achieve his ‘nefarious’ goal. Good and evil?  Right and wrong?  Too obvious?

We would learn late in the season that roughly 2000 years ago their shipwrecked mother gave birth to them on the island.  She was then quickly killed by another woman who raised the boys as her own, granting them some sort of immortality and the inability to kill each other directly.  The feud growing up boiled down to this:  Jacob wanted to live on and protect the island from harm/destruction.  MIB merely wanted to leave the island.  Jacob stopped him, MIB was enraged that his murderous step-mother wouldn’t allow them to leave and killed her.  Jacob gets mad at MIB and throws him into the heart of the island where he dies/changes into the smoke monster that has hunted the castaways for 6 seasons.  The castaways came to the island because Jacob who also wanted to leave the island needed to find a replacement ‘protector’ of the island.  So he had previous left the island to ‘touch’ them to protect them from harm by MIB… hey… wait a minute… did you catch that?  Jacob who wants to leave the island but cannot, LEAVES the island to ‘tap’  candidates to replace him.

Who was watching the light cave then?  You see where this is going, right?

It seems the only thing Jacob needed to protect was the heart of the island so that his brother, MIB, couldn’t destroy the island to get off the island.  Yep – the very same brother who just wanted to leave.  No harm, no foul.  So Jacob himself has created the very reason he has to protect the island.  Prior to that the only reason to protect the island was … what?  Remember according to the recap show this is 2000 years ago.  Even in the late 1960's - 70's all the Dharma folks wanted to do was research the island as a possible means for energy.

Oh.. and time travel apparently, but they dropped that subplot.

Or perhaps teleportation….(Ben Linus in the desert anyone? Polar bears?) Which they neither explained or resolved.

Deep breath… not to worry… the finale will cover all that, right?

Everything seemed to be rather on track for a fantastic ending and I had renewed hope. About an hour in I thought, “This is really cool in seeing the cast reunited in the ‘flash-sideways’ story, but they’re not really answering any questions.  This seems to be more of an emotional pull than closure to the story.”

I was tracking fans’ responses on the Official LOST fan page on Facebook.  When the credits rolled, people fell into three distinct camps:

1.     I cried the whole way through – thanks LOST!

2.     Huh?  I don’t get it (aka I am still LOST)

3.     EXPLETIVES in all caps and extreme anger and a feeling of betrayal

As a friend on Facebook would comment when it was all over: “emotionally stirring, intellectually failing.”

I was really disappointed… but it’s just a TV show.

These are the reasons I explained to my wife why I thought it was a terrible finale:

1.     The ‘resolution’ mainly tied into season 6… and not really the other seasons

2.     Unanswered story questions… and there are a LOT.

a.     If Dharma was shut down in the 80’s who did the food drops to the Oceanic survivors in 2004?  What type of aircraft did they have access to?
b.     Where did the polar bears come from in Season 1?
c.      Did it really take Jacob roughly 1900 years to come up with, or make this plan work?  Um – Ben Linus sure wanted the job of being Protector of the Island – just let him!  None of the other Dharma folks, or Others qualified?
d.     How can the Dharma folks come and go to this ‘un-find-able’ island whenever they want?
e.     Why can’t women get pregnant on the island?
f.      Why was Walt so ‘psychically special’ that the Others wanted him off the island pronto?  What ever happened to him?
g.     Why and how could certain Others leave the island whenever they wanted but it was anathama for MIB to even want to leave?  If MIB was just a human wanting live a normal life OFF the island WHO CARES if he leaves???  Why will his leaving destroy the world??  If he is really Satan, or the embodiment of ALL evil in the universe, you need to tell us plainly.  We are left thinking that Jacob was just lying.
h.     Why were the children abducted?  What happened to them?
i.       Who built the massive Egyptian god idol?
j.       Why was there a temple?  Who built it?  Why?
k.     How did the “others” in roughly 20s-30s AD know they could harness the power of the glowing core of the island?
l.       If Jacob really looks like this: 

Then who was this guy in the cabin http://interlost.files.wordpress.com/2009/04/jacob.jpg
identified as Jacob and why was he asking Locke to help him?



http://lostpedia.wikia.com/wiki/Unanswered_question

The good news here though is that Cuse and Lindelof claim that anything unanswered at the series finale will be answered on the Season 6 DVDs.
Marketing genius.  Storytelling extortion.

I’m not even going to mention rabbit trail plotlines that seemed to be of major significance, but really just helped fill episodes for the bulk of a season.

3.     The Season 6 sideways story:  Turns out in this storyline they were all dead and created their own ‘purgatory’ like reality until they could all find each other again, remember what they experienced and then ‘move on’ to heaven? 

WHAT?! Give me a break!
This is the EASY out:  They all died, waited for one another in limbo and then once reconciled to each other they all went to heaven.

That would be like if Star Wars said one of it’s main protagonists was born of a virgin… oh wait… nevermind.

It’s just too easy for the writers… and what about all those assurances they gave us?  So everything that happened on the island was real – but the sideways story – there it’s OK to cheat?

Even if that’s the case – where are Walt, Michael and Ecko?  You know – Ecko – the major character who embodied a genuine faith and a soul that repented of a previous life of evil.  The guy who wanted to build a church on the island, baptized some characters and was gracious, strong and self-sacrificing?  He doesn’t get to go to heaven in the LOST universe? Major characters don’t get to ‘move on’ too?  But minor ‘fan faves’ like Shannon & Boone do?  What about Nikki & Paolo????  Why is Rose the only African American cast member that gets to “move on”?

Why did Walt and Michael still make miraculous appearances on the island after they left?

The whole “all faiths” church was unnecessary.  If you’re going to be that pluralistic, don’t use a church.

Here’s an idea:  What about – Jack sacrifices himself in the “glowing cave” heart of the island by putting the stone back which causes a massive EMP destroying the island.  A time shift is caused by this event which allows the characters to land safely this time at LAX (the sideways story) and go on with life.  Once Desmond ‘remembers’ he starts the quest to find each member  of the Oceanic flight so they can all remember their time on the island and finally reconciled.  They then move ahead in life, fully aware of their time on the island and have now been given a second chance at life, and the island is destroyed.  Or don’t destroy the island – but don’t kill off your entire cast and make us sit through some New Age mumbo jumbo, cast party ending.

Roger Ebert's review for "the Village" is appropriate for the LOST finale:

"To call it an anticlimax would be an insult not only to climaxes but to prefixes. It's a crummy secret, about one step up the ladder of narrative originality from It Was All a Dream. It's so witless, in fact, that when we do discover the secret, we want to rewind the film so we don't know the secret anymore.
And then keep on rewinding, and rewinding, until we're back at the beginning, and can get up from our seats and walk backward out of the theater and go down the up escalator and watch the money spring from the cash register into our pockets."

I think I hear the Dallas theme playing.

Saturday, March 20, 2010

“I Swallowed the Tomb”

Wisdom from my 5 year old. 

In recent years I have become more uncomfortable at how the time we set aside to celebrate Christ’s resurrection has been usurped by commercialism and symbols of Ishtar/Eoster.  The Baskets, the fertility eggs and rabbits – really find no identity based in Jesus rising from the grave.  I’ve looked in all four Gospels.  And interestingly enough I have heard from more than one person that they disbelieve the resurrection the same way they disbelieve the Easter bunny. 

On the flip side companies have marketed chocolate crosses. Some filled with caramel.  What? I can think of nothing more repulsive than a chocolate cross.  An instrument of humiliation and excruciating torture and death...yum! Do we market chocolate handguns?  Chocolate nooses?  Electric chairs?  But I digest...digress...whatever.

I will admit however, that I love the taste of those chocolate rodents.  Especially if Dove makes them.

This year I decided to get my kids chocolate bunnies and give them these treats today – a full 2 weeks before what’s commonly called “Easter.”

“Kids,” I said, “you know how at Christmastime we have eggnog?  It has nothing to do with Jesus, but we enjoy it as a treat?  Same thing with these bunnies.  They’re yummy and remind us of springtime – but they have nothing to do with Jesus’ resurrection.”  They nodded, wide-eyed and salivating.  
note to self: one more reason chocolate crosses are a bad idea.

As my daughter was 'nom nom'-ing her way through the bunny, she said, “it’s dark in there.”

“Yep” I said.  “What else?  Is there anything in there?

"It's empty" she quipped.

"Like the tomb on the day Jesus rose from the dead: dark and empty,” said I.
Make the most of every opportunity, I thought.

A few moments passed.

“I just swallowed the tomb.” My daughter piped up – unprompted.

“Yeah,” I said chuckling.  “That’s what the Bible tells us that God did when Jesus rose from the dead,” trying to simplify from 1 Cor. 15:50-57 which speaks of the reality of what Jesus accomplished and will one day be fully realized.
In the NIV it says:
“I declare to you, brothers, that flesh and blood cannot inherit the kingdom of God, nor does the perishable inherit the imperishable. Listen, I tell you a mystery: We will not all sleep, but we will all be changed— in a flash, in the twinkling of an eye, at the last trumpet. For the trumpet will sound, the dead will be raised imperishable, and we will be changed. For the perishable must clothe itself with the imperishable, and the mortal with immortality. When the perishable has been clothed with the imperishable, and the mortal with immortality, then the saying that is written will come true: 
                      "Death has been swallowed up in victory."
                      "Where, O death, is your victory? 

                       Where, O death, is your sting?"
  (from Isa. 25:8 & Hosea 13:14)
The sting of death is sin, and the power of sin is the law. But thanks be to God! He gives us the victory through our Lord Jesus Christ.”

What a neat way for God to interrupt her treat with a reminder of amazing Hope and profound Truth;  empty, dark and profoundly sweet.

Does this mean I will go ‘back’ to buying these bunnies and plopping them into a basket on ‘Easter’ morning? 

Nope.  I’d rather have my kids thrill to the knowledge that Jesus is real and that He is really alive – not anxious to be ‘done’ with church to race home for candy, eggs, trinkets and that horrid ‘Easter’ grass – all mysteriously left in a basket by some mythical representation of an equally mythical deity.

I am, however, thankful for a chance to once again let an unplanned moment direct my daughter to Jesus.  One more Deut. 6 moment.  Thankful that when Resurrection Sunday rolls around she may remember this brief lesson… but that it will point her to Jesus, not vainly trying to steal her affections away from Him.

Now, let’s see if she notices the few nibbles I’ve taken out of her confectionary rabbit while she’s been away from the table.

Jesus is alive!
He is risen!
He is risen indeed!
Death has been swallowed up in victory!